15 black models who are taking the fashion world by storm
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Adut Akech Bior is one of the most famous models right now. Peter White/ Getty

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But with still more to be done, there are black models working every day to change the industry for the better, including Jillian Mercado, Winnie Harlow, and Precious Lee.

As New York Fashion Week kicks off, here are some of the most important — some already established and some up-and-coming — black models working in the industry today.


Winnie Harlow is one of the most famous and recognizable models working in the industry today.

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Winnie Harlow. Charles Platiau/Reuters

Harlow's career began on "America's Next Top Model" in 2014. After being eliminated, she started working professionally in the industry, appearing in several magazines, including Glamour, Cosmopolitan, and Ebony. The model also appeared in the Victoria's Secret Fashion Show in 2018. 

She is also famous for being outspoken about her skin condition, vitiligo. 

"We have to keep educating people," Harlow wrote in Glamour. "When the Evening Standard ran a picture of me with a caption describing me as a vitiligo 'sufferer,' it tore me to shreds. I said to my agent, 'WTF. Again? Is this a joke?' That's how I feel every single time I see that word placed beside my name. It's something I see often, so I felt like I should say something. Just because you see someone with whatever it is, even a pimple, you don't get to say that they are suffering. It's very rude for anyone to describe me as a sufferer, and it takes away from everything else — I'm 100 percent excelling in everything I do."


Lineisy Montero is known for her natural Afro hair in the fashion world.

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Lineisy Montero. Kristy Sparow/ Getty

Montero was discovered at an amusement park in the Dominican Republic, and she was quickly signed to a modeling agency. She first walked in a Prada show, and her career took off from there. She's worked with Alexander Wang, Versace, and Miu Miu, all while sporting her trademark Afro. 

"I didn't expect this impact. I am just Lineisy Montero, a young girl from Santo Domingo," Montero told i-D. "My hair has never been a question — it's always been natural. I didn't do anything special except walking in the shows. I see now that is a big thing for the fashion industry so I am proud of it. If it changes the mentality in the business for models like me, I would be very happy."


Jourdan Dunn made headlines in 2015 when she became the first black woman in 10 years to be featured solo on the cover of Vogue UK.

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Jourdan Dunn. Foc Kan / Getty

Dunn was discovered at just 15 years old in a Primark store in London. She became an in-demand model, walking in shows for Dior and Louis Vuitton. Most notably, she was the first black woman to walk Prada's runway in 10 years. Dunn was also featured in Beyoncé's music videos. 

"Not even just for young girls, but for women in general, we have to stop comparing ourselves to other people, to celebrities, to our friends, to sisters, whoever, and just embrace you and remember that there's only one you," Dunn told Wonderland. "The things you can't change, learn to love and embrace, and the things that you can change — if that's going to make you feel good — then change. Accept all your flaws, then no one then can use them against you. Turn the negatives into positives, that's what I've done."


Duckie Thot is the face of Rihanna's makeup line.

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Duckie Thot. Eamonn M. McCormack/ Getty

Nyadak "Duckie" Thot started her career in 2013 when she finished in third place on "Australia's Next Top Model." Since then, the South Sudanese model worked for Pirelli in 2018, and she walked in Victoria's Secret Fashion Show. Recently, Thot became the face of Rihanna's makeup line, Fenty, and worked for L'Oréal Paris.

"When we talk about diversity in fashion and beauty, we often don't talk about what that means behind the scenes: stylists, photographers, makeup artists," Thot told Allure. "I'm often the only black woman on set. I'll remember doing the Pirelli calendar [shoot] with an all-black cast — RuPaul, Lupita Nyong'o — for the rest of my life."


Broderick Hunter was once the face of Ralph Lauren.

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Broderick Hunter. Emma McIntyre/ Getty

Hunter turned to modeling after injuring himself as an athlete in college. He started modeling on Instagram but eventually worked for Ralph Lauren, starred in Ciara's music videos, and even earned himself a spot on HBO's "Insecure." In 2014, Business Insider named Hunter one of "the sexiest Instagram stars alive."

"When you're a black boy in modeling, you have to be the cream of the crop. They're only signing you if they see the star in you and think you're definitely going to blow up," he told Teen Vogue. "It was really really difficult to get into the door. Not even getting in. Once you're in the door, you still have to fight to maximize the limited space you've been given."


Diandra Forrest is the first female model with albinism to be signed to a modeling agency.

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Diandra Forrest. KENA BETANCUR/ Getty

Diandra Forrest is a groundbreaking model in the fashion industry. Born to African-American parents, she has white skin and blonde hair because of her albinism. That didn't stop her from signing with a major modeling agency, Elite Models NY, and later Krush Model Management NY. Since then, she has appeared in magazines like Ebony and in music videos for Beyoncé and Kanye West.

"It is not easy being a person with albinism because of the lack of understanding of what the condition is, even in the modeling industry where I have been working for the past few years," Forrest said. "People with albinism are looked at as something that is maybe extra-terrestrial, an odd beauty, not just a regular beauty, whatever that is. It can be fun and entertaining but it should not be a freak show."


Slick Woods made a name for herself in the world of fashion because of her buzzed head, gap teeth, and tattoos.

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Slick Woods. Taylor Hill/ Getty

Woods became famous in the fashion world in 2018 when she walked the Savage X Fenty show in lingerie while nine months pregnant. Beyond that moment, Woods has walked the runways for Fendi, Calvin Klein, Marc Jacobs, and Miu Miu. She's also appeared in the pages of Vogue, while sporting her signature buzzed-hair look. 

"My goals are very in-real-time," Woods told the Guardian. "My goal is just to be very happy and live every day exactly how I want to do it."


Adonis Bosso may be known as the father of Slick Woods' baby, but he's also a successful model in his own right.

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Adonis Bosso. Axelle/Bauer-Griffin/ Getty

Bosso's modeling career began when he accompanied an ex-girlfriend to a modeling agency and was immediately signed. Since then, he has modeled for Dolce & Gabbana and Todd Snyder. In the modeling world, he is known for his signature septum piercing. 

"Over time I've begun to see how important visibility is, especially as a black model," Bosso told Vogue. "I want to represent something more instead of being boxed into the pre-existing stereotypes. I don't want to be shown as being a thug; that isn't who I am, and those images are already overly prevalent. I try to make my mom proud when I walk out of the house."


Adut Akech Bior went from a South Sudanese child refugee to one of the most sought-after models in the industry.

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Adut Akech Bior. Francois Durand/ Getty

Akech Bior began her modeling career in 2016 when she walked for Saint Laurent. Since then, the model has become highly sought after, accompanying Valentino's Pierpaolo Piccioli to the Met Gala, and Karl Lagerfeld had her open and close several Chanel shows. She's also worked with Miu Miu, Versace, and Prada. 

"I don't want to just be known as Adut Akech the model. I want to build a legacy," she told Allure. "I don't feel like I only represent black girls; I want to represent anyone who started from nothing and had to work their way up. I want to inspire." 


Jillian Mercado is one of the few models in the fashion industry who is differently abled.

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Jillian Mercado. Paul Bruinooge / Getty

In 2014, Mercado was featured in a modeling campaign for Diesel, which led to her signing with IMG the following year. Since then, Mercado has been in campaigns for Nordstrom, Target, and even Beyoncé's merch.

With her new-found fame, Mercado has been open about her muscular dystrophy.

"Working with IMG, my goal is to make it so that I am not the model in the wheelchair and I'm just the model," Mercado told Vogue. "If I can do big shows like Alexander Wang or Chanel and not be seen as the token girl, that goes a long way toward challenging perceptions. There is still so much change that needs to happen, but I want to make way for whoever has that mindset that I had when I was younger. I want the people who were hesitant in pursuing fashion because of the way that people might perceive them to know there is a place for them."


Staniel Ferreira has become a popular runway and cover model.

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Staniel Ferreira. JP Yim/ Getty

Although it took Ferreira five years to sign with an agency, he eventually booked a gig for a Lady Gaga campaign. Since then, he has appeared in Paper Magazine and Stark Magazine. Ferreira also walked the runway for The Blonds show in 2016. 

"Our industry is still working towards accepting cultural differences. In fashion they're starting to realize that money doesn't have a color," he told Models.com. "Everyone from all cultures will purchase things."


Precious Lee was the first black, plus-size model to appear in Vogue.

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Precious Lee. Astrid Stawiarz/ Getty

Lee was discovered at an open casting call in Atlanta, Georgia, at 18 years old. Since then, she has worked with famous brands like Target, Lane Bryant, Saks Fifth Avenue, and Nordstrom. Lee was also the first black, plus-sized woman to be featured in Sports Illustrated and Vogue. 

"I think the focus should be less on trying to figure out how we feel about our bodies," Lee told Harper's Bazaar. "I went through this phase where I had to wear certain designers on red carpets just to prove them wrong. I'm a naturally fashionable person. I'm not afraid to mix and match and do high-lows from price points to colors to prints, but it's important to remain within my truth and wear things that I want to wear without focusing on trying to convince designers that curvy women are worthy enough for their product."


Corey Baptiste is one of the most sought-after male models in the industry.

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Corey Baptiste. Fernanda Calfat/ Getty

Baptiste jumped into the world of modeling at 19 and immediately signed a deal with DKNY. He later worked with Banana Republic, Ralph Lauren, and Benetton. Out magazine calls him a "money guy," which is a group of male models that rake in large amounts of money. Baptiste is the only black model in that elite group. 

"During Milan Fashion Week about two years ago, a casting director stood up and told me in front of everyone that they weren't looking for a model of color at the time," he told Out. "Every day I wake up, I may think of giving up or that my time is done because African Americans have a limited number of jobs in this business. But I see the door opening a little bit, and I'm here to knock it down."


Maria Borges was the first model to walk in Victoria Secret's Fashion Show with her natural hair.

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Maria Borges. David M. Benett/ Getty

In Borges' first season in the modeling industry, she booked 17 shows during New York Fashion Week, launching her into stardom. Since then, she developed a special bond with Givenchy's Riccardo Tisci and became exclusive for that fashion house. The Angolan model also worked with Tom Ford, Ralph Lauren, and Marc Jacobs.

"I have so many goals for myself in my career, so many," Borges told Vogue. "Obviously I'd love a Vogue cover, and it's important to me in the future to do charity work in Africa, where I'm from."


Valentine Rontez is also known for modeling for several high-end brands.

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Valentine Rontez. Jacopo Raule/ Getty

Over the course of his modeling career, Rontez has walked the runways for Balmain, Versace, and Philipp Plein. He has appeared in V magazine and Elle, while also working with Nautica and Ralph Lauren for marketing campaigns. 

"I feel like it all depends on your perspective on things. Regardless of my color from the outside, I'm a human being, we should all be looked at and respected the same," Rontez told Models.com. "Change is happening everyday. America is equality, all forms of life together. Every culture has something to offer. We're all united. We're here to make a statement that we need each other to survive."


Anok Yai

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Anok Yai.

Anok Yai said she will pursue modelling part-time while she completes her degree. According to Asian based media, Anok ranked the mostbeautiful woman on earth and the most expensive model who charges $15000 for every hour of fashion photography.


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Miss Pat's Model Pick: Anok Yai
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From the moment Anok Yai arrived on the fashion scene, she delivered glamour. The 22-year-old model went from being discovered at Howard University’s homecoming celebrations in 2017 to becoming one of Miuccia Prada and Tom Ford’s favorite beauties almost overnight. In just three years, Yai has proven herself an essential part of the fashion conversation and a style star in her own right. When she’s on the road for the shows, Yai flaunts daring outfits that regularly garner the attention of street style photographers. Under normal circumstances, Yai would be prepping for the couture collections, but since the order to shelter in place was issued in New York York in late March, she’s been at home in Brooklyn. Despite the slow down, fashion is never far from Yai’s mind, and she has channeled her energy into creating attention-grabbing at-home looks.

Apt to don a slip dress for a Zoom party or do the laundry in Prada boy shorts, she’s found creative ways to break the monotony of being stuck indoors. Whether she’s turning her roof into a makeshift photo studio or reminiscing about Florence while wearing Zegna, she uses style to set a mood. Here, she guides Vogue through a week’s worth of outfits with savoir-faire.

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Monday
Today is sunny and I’m on my rooftop. I love the feeling of the sun and how it warms my skin. It’s not warm enough for a bathing suit, so I have on one of my favorite Cult Gaia dresses, which exposes just enough of my skin for warmth. My headscarf is vintage Hermés; I am a huge fan of their classic prints. I added some extra accessories: the necklace is Fendi, and my earrings are Lo and T, so I can pretend I’m far away laying in a flower field. 

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Tuesday
I love sunsets and little black dresses. Today the sunset looked like a painting and was completely mesmerizing. I have on an Orseund Iris dress and decided to pour myself a glass of red wine to watch the day fading into night. Going up on a Tuesday, now, has a totally different meaning. I come alive in the nighttime, so whether I’m in my living room or out dancing, this dress sets my mood. 

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Wednesday
Today is laundry day and for some reason, I always have so much of it, and it’s the bane of my existence. It’s a casual day, so I have my go-to Coach button-down, Prada boy shorts, Nike socks with my favorite Coach slippers of the moment. Slipping into something fuzzy makes laundry a little bit more bearable. 

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Thursday
I love streetwear. I get to combine my feminine side with the tomboy in me. I’m back up on my roof, pretending I’m running around the city with my friends on our way to lunch at Pastis. The way I love their food! One of my “must-haves” are Nike Air Force 1’s. I’m also terrible at keeping white shoes, so I have purchased these about a dozen times. This reversible silky trench coat from The Frankie Shop is perfect for day to night. Khaki for day and the black silk for night, because living in New York you never know where the day will go. My Wolford bandeau paired with double jeans by Karl Kani and R13 keeps my inner tomboy aligned. I’m obsessed with silver jewelry, so I paired my chunky Chanel lock necklace for a minimal, yet statement piece. 

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Friday
It’s Friday and nowhere to go, so club quarantine it is! I love mosh pits, the vibe of a ’90s rave, and a ton of people around. The decorative hardware on this Orseund Iris skirt sets the tone. The fur top is from Scent and Azzma, which I have been waiting for the perfect moment to wear. I guess, no time like the present! The sleeves are an add-on from an Orseund Iris bodysuit. To complete my look, I have on a spike necklace from Search and Destroy—it brings out the trouble maker in me. I blast loud music (sorry neighbors) and set up some cool lighting. I close my eyes, listen to the music, and dance ’til dawn. 

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Saturday
On my most recent trip to Florence, I found these amazing art books which fueled my creativity. I have always been obsessed with Renaissance art and studying Michelangelo. I haven’t done much art since I was little, but I have been inspired again since the mandate to stay-at-home. I am currently creating a large scale art piece; watercolors, acrylics, and pencils are my favorite medium. 
Today’s wardrobe inspiration is from Ermenegildo Zegna. The white/gray marbling print is very apropos of my love of Italy. I am trying not to fall back into my perpetual bad habits of never finishing my artwork.  

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Sunday
Today is my chill day, and you will find me in my Brother Vellies chair all day. I just started reading On Earth We’re Briefly Gorgeous by Ocean Vuong. I picked it up the last time I was at the airport. I miss being in airports. It reminded me how much I love being in airports and traveling. Because of my modeling career, I am so fortunate to explore and experience so many different ones. I meander along and buy candy, coconut water, and new books. It’s mandatory “me time” when I’m in an airport. Currently, my favorite books are Cult X by Fuminori Nakamura, The Blind Assassin by Margaret Atwood. The headscarf is vintage Galliano, top by Orseund Iris, and my favorite medallion necklace that I picked up in Jamaica on a work trip with my friends.

BY JANELLE OKWODU

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25 All-White Fits to Fantasize About From the Spring 2020 Collections
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BY ELISEÉ BROWCHUK

Nothing channels the feel-good spirit of summer like an all-white look. The clean palette is synonymous with warm weather and never fails to look timeless and fresh—so much so that the old adage about only wearing white between Memorial Day and Labor Day is routinely broken.

We’re all for wearing white whenever we please, but something about breaking out our ivory jeans and breezy cotton dresses on the first “summer weekend” feels particularly good. If you’re lacking for inspiration, head-to-toe white looks were all over the September runways, from Sarah Burton’s beetled linen dresses at Alexander McQueen to the dozens of pure-white looks that opened Valentino, along with more casual examples at Deveaux and Y/Project.

Those looks highlighted how a single-color fit becomes a blank canvas for the subtlest details to really pop. Exaggerated sleeves seem to stand taller; cut-outs feel more intimate; and tailoring takes on both classic and casual forms. From Gabriela Hearst’s fish-net ensemble to Riccardo Tisci’s crystal-studded gowns at Burberry, the ways in which designers put their own twist on the season’s dominant color were endless. Body-conscious or billowing, strict or ruffled, fringed or feathered, there was an all-white look for every mood.

So even though our summers might be starting inside this year, we combed through the spring 2020 shows and gathered 25 ivory looks to keep your spirits high. Scroll through all of our top picks below.

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Alexander McQueen, spring 2020 ready-to-wear 


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Loewe, spring 2020 ready-to-wear


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3/25
Bottega Veneta, spring 2020 ready-to-wear 


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4/25
Valentino, spring 2020 ready-to-wear 


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5/25
Eckhaus Latta, spring 2020 ready-to-wear


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6/25
Burberry, spring 2020 ready-to-wear


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7/25
Christopher Kane, spring 2020 ready-to-wear 


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8/25
Deveaux, spring 2020 ready-to-wear 


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9/25
Christian Dior, spring 2020 ready-to-wear 


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10/25
Christopher John Rogers, spring 2020 ready-to-wear 


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11/25
Erdem, spring 2020 ready-to-wear 


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12/25
Chloé, spring 2020 ready-to-wear 


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13/25
Gabriela Hearst, spring 2020 ready-to-wear 


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14/25
Pyer Moss, spring 2020 ready-to-wear


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15/25
Simone Rocha, spring 2020 ready-to-wear


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16/25
Jil Sander, spring 2020 ready-to-wear 


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17/25
Khaite, spring 2020 ready-to-wear 



18/25
Balenciaga, spring 2020 ready-to-wear


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19/25
Maison Margiela, spring 2020 ready-to-wear 


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20/25
Louis Vuitton, spring 2020 ready-to-wear 


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21/25
Philosophy Lorenzo Serafini, spring 2020 ready-to-wear 


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22/25
Stella McCartney, spring 2020 ready-to-wear 


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23/25
Marine Serre, spring 2020 ready-to-wear


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24/25
Y/Project, spring 2020 ready-to-wear 


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25/25
Zero + Maria Cornejo, spring 2020 ready-to-wear



Vogue Runway

A daily recap of the biggest runway news, latest trends, and emerging designers.

 
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The Pulitzer Prize Is Getting More Diverse. Dana Canedy Is One Reason Why
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When scrolling through this year’s list of Pulitzer Prize recipients, one thing immediately stands out: the sheer number of Black winners. There is The Nickel Boys, Colson Whitehead’s devastating fictional account of the true story about life at the Dozier reform school, which won for fiction. A Strange Loop, Michael R. Jackson’s semi-autobiographical musical about an aspiring playwright trying to write a musical about an aspiring playwright, secured the win for drama. The Tradition, Jericho Brown’s heartfelt collection, won the prize for poetry, while The Central Park Five, Anthony Davis’s spellbinding opera about its titular group of wrongfully convicted Black and Latinx boys, took home the prize for music. Add to that wins for Nikole Hannah-Jones, who took home the commentary prize for her contributions to The New York Times’ “1619 Project,” as well as a special award for the late investigative journalist and Civil Rights leader Ida B. Wells, and it’s clear that Black art was finally getting its due.

It’s something to be proud of for Dana Canedy, the administrator of the Pulitzer Prize since August 2017. As the first woman, first person of color, and youngest person to ever hold the position, the former New York Times editor has spent the past three years painstakingly working to diversify this prestigious organization in all facets. And while her contributions have been apparent from the very beginning—it was after she took the role that Kendrick Lamar’s DAMN. took home the 2018 Pulitzer for Music, after all—nothing has felt quite like the 2020 results.

Several days after the winners were announced, Vogue hopped on the phone with Canedy to talk about these wins, what she thinks inspired the current uptick in stories about the mistreatment of Black bodies, and why she won’t rest until matters of diversity are no longer sensational.


During your first year presiding over the Pulitzers, Kendrick Lamar won, which felt unprecedented. What led to that?

Funny story. Every year now, people say, “What are you going to do next year?” And after we wrap up, I’m like, Oh crap, I have to try to top this? So I don’t know. I might have to bring in a circus next year! But as it relates to the Kendrick Lamar prize or the special awards for Aretha Franklin and Miss Ida B. Wells, I think it’s more an indication of the board than of me. The board was open, ready, willing, and eager to make some historical course-corrections and embrace new, different forms of art.

I came in with a board that was aligned with my vision, and together, we’ve been able to accomplish things I was hopeful would happen but was never certain could. I think what impacted what you saw this year was having a diverse board, having a woman of color as the administrator, and having a diverse jury pool. That combination just brings about discussion and debate about what other things we should be considering or looking at. It feels very organic.

A Strange Loop is excellent, but it’s also a very deliberately challenging work. Do you think anything had to change for provocative art to be recognized in spaces like this?

Across categories, the Pulitzers have long been awarding work that’s considered provocative or controversial. If anything, this win is a reflection that [we’re seeing art] that speaks to themes that maybe weren’t as written about before or that you didn’t see on stage. Coupled with the openness of a board that really wants to embrace all kinds of storytelling, [hopefully] work like that will continue to rise. And it should because, by the way, it happened to be the best bit of drama we saw this year.

I’d be remiss if I didn’t say two things. One is that we do not lower our standards. Every year, I have phone calls with each jury panel before they start their deliberations and I give them instructions. One of the things that I say is, “The number one thing that we are looking for, and what we will never lower the bar on, is the excellence of the work.” That’s it. You have to meet that first before any sort of diversity becomes a factor. Two, as wonderful as the diversity we’re seeing is and how much attention it’s getting, I actually will not consider us successful until it’s no longer a story. Only when it becomes “Of course there was a diverse slate of winners” will I consider it a success. If folks still consider the diversity of this year’s winners] to be extraordinary, it simply means that we have more work to do.

Given how many prizes went to Black artists—and, in the case of A Strange Loop and The Tradition, to queer Black artists—would you say there’s been an uptick in mainstream interest in these kinds of stories?

I’m actually not sure, to be honest. For me, they were always mainstream. There has always been extraordinary work like this. I just think we’re much more open now than we’ve ever been to recognizing it. I didn’t even realize until you said it that most of the key prizes in Arts & Letters had gone to African-Americans. I knew we had a diverse group but I never even realized that. The fact that I didn’t recognize that is how it should be. It just happened organically.

Even some of the non-Black winners won for work that has a specific resonance for Black communities—like W. Caleb McDaniel, who won for his book about former enslaved woman Henrietta Wood. Then, taking into account Nikole Hannah-Jones’ win for her work on the “1619 Project,” do you think there’s a reason we’re seeing so much work that reexamines our society’s historical mistreatment of Black bodies?

I think it’s somewhat obvious if you look at the trend of Black brutality from law enforcement. If you think about that and the divisiveness in this country right now along racial lines fueled by the Trump administration, we’re at a particularly sensitive moment in our history. We’re at a turning point and that always prompts reflection. We’re just one administration out from having the first African-American president in the White House. All of those things have people reflecting on where we’ve been, where we’re going, and whether we’re in, as I would argue, a two-steps-forward-one-step-back process. It’s just a natural time of reflection.

Looking forward to the future, what do you hope to see?

First of all, this year cannot be an anomaly. My main goal is to make sure that it isn’t, and frankly, the board wouldn’t have it any other way. My number one priority is to make sure that we continue to build on the success of this year.

BY MICHAEL CUBY May 9, 2020 for Vogue


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It’s Daffodil Season Outside and on the Runways
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BY LAIRD BORRELLI-PERSSON

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.

So wrote T. S. Eliot in his epic poem, “The Waste Land,” nearly a hundred years ago. In the midst of a global pandemic, his use of the word cruellest stings. Wisely, he reminds us of our connection to nature, that our spirits reawaken just as dormant roots do as spring arrives.

Two things that have become crystal clear during this global pause is the interconnectedness of all nations and the effect of our actions on the environment. Swans have returned to Venice, and everywhere in New England daffodils—unaware of the crisis—are once again raising their ruff-ringed faces toward the sun. (In “I Wandered Lonely as a Cloud,” another poet, William Wordsworth, expands on their irresistible cheeriness.)

Now there are many types of daffodils in a variety of colors, but the best-known are the intense bright yellow variety. One of the color stories designers had been developing pre-pandemic—for both spring and fall—was a golden one. Shades from almost white to deep ochre have been seen on frilly party dresses (Molly Goddard), rain slickers (Adam Lippes) and snazzy pants suits (Marc Jacobs, Dries Van Noten) that are anything but garden variety.

 

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Photo: Filippo Fior / Gorunway.com

Molly Goddard, spring 2020 ready-to-wear


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Photo: Alessandro Lucioni / Gorunway.com

Carolina Herrera, spring 2020 ready-to-wear


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Photo: Alessandro Lucioni / Gorunway.com

Alexander McQueen, spring 2020 ready-to-wear


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Photo: Filippo Fior / Gorunway.com

Yuhan Wang, spring 2020 ready-to-wear


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Photo: Filippo Fior / Gorunway.com

Cecilie Bahnsen, spring 2020 ready-to-wear


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Photo: Alessandro Lucioni / Gorunway.com

Rochas, spring 2020 ready-to-wear


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Photo: Salvatore Dragone / Gorunway.com

Area, spring 2020 ready-to-wear


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Photo: Filippo Fior / Gorunway.com

Oscar de la Renta, spring 2020 ready-to-wear


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Photo: Filippo Fior / Gorunway.com

Celine, spring 2020 ready-to-wear


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Photo: Alessandro Lucioni / Gorunway.com

Zimmermann, spring 2020 ready-to-wear


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Photo: Filippo Fior / Gorunway.com

Pyer Moss, spring 2020 ready-to-wear


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Photo: Alessandro Lucioni / Gorunway.com

Proenza Schouler, spring 2020 ready-to-wear


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Photo: Filippo Fior / Gorunway.com

Roksanda, spring 2020 ready-to-wear


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Photo: Alessandro Lucioni / Gorunway.com

Chloé, spring 2020 ready-to-wear


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Photo: Filippo Fior / Gorunway.com

Marc Jacobs, spring 2020 ready-to-wear


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Photo: Alessandro Lucioni / Gorunway.com

Dries Van Noten, spring 2020 ready-to-wear


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Photo: Isidore Montag / Gorunway.com

Adam Lippes, spring 2020 ready-to-wear


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